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Shu Uemura Smoky Velvet....s Swatch and Comparison

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Not sure how I contrived wind up with double the Dora at the end of this holiday season (uh, not that I'm cramming this belated post into the last day of January or anything....) but hopefully this comparison between the two different versions of Shu Uemura x Karl Lagerfeld's Smoky Velvet palette (LE for holiday 2012) will prove helpful for sale-stalkers, and any collectors/ebayers visiting from the fuuuuuuture *woo-woo noises*
identical red-eyed evil...
...but what lurks within?
On the left is the version sold throughout Europe and Asia, which I originally swatched here.
On the right is the one sold in the US and Canada -- excellent swatches on Planet Martha and The Notice. (Please avert your eyes from the dented black silk smooth shade here -- spontaneous depotting aint all it's cracked up to be. Literally, when your creamilicious cake of sparkly black lands on the edge of your palette. Woe.)

The top two (silk smooth) shades are identical, but the other three eyeshadows are substantially different. Texturally, the Europe/Asia version of Smoky Velvet is symmetrical to Prestigious Bordeaux; the North American version replaces one satin shade (middle left) with another glitter. [In my opinion, the blush pans (bottom right) differ very slightly, with the North American version being a hair warmer and more red-toned. This was admittedly so minimal my camera couldn't capture what I thought I could see, and might be attributable to batch variation.]


All pictures taken in natural light without flash; only the angle and extent of focus/fuzz varies.


Middle Left
The European/Asian version has a light grey satin with a gunmetal base and silver sheen (respectively visible at different angles). The North American version features a holographic white creamy-feeling powder glitter -- i.e. a smaller pan of Glitter White Rainbow in the core line, swatched on the far right.


Middle Right
The textures of these were identical this time, so only the colours differ: Europe/Asia got a silvered turquoise, North America a soft spring green.


Bottom Left 
Again, both are the newest kind of Shu Uemura glitter -- beautiful, if ridiculously sparkly, sheer topcoats, best pressed onto the eye with a fingertip. The European/Asian palette has a cool white gold and the North American a yellow-toned old gold with sparse flecks of warmer copper and red.


Which version do you prefer? And why do you think Shu chose to release two versions of the 'same' limited edition palette, without fanfare?

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