Major base-geekery ahead. Seriously, there are nested footnotes.
Quick recap of the story so far:
Note [2] Undertones vary wildly in my collection because I used to need yellower tones to combat purple/brown discolouration; during my Korres honeymoon I found warm pink tones most effective in taking the edge off the blue/green bruisiness visible through the especially thin skin around my eyes; now a mix of yellow and pink (peach) works best for my blurple circles.
Quick recap of the story so far:
- I didn't so much have dark circles as an amorphous lowering zone of doom around my eye area (size varying depending on insomnia, allergies etc.).
- Then came Korres Materia Herba Anti Dark Circles Eye Cream (part 3 here)...
- ...which enabled me to ditch the correctors, heavier coverage concealers and all the texture-mitigating priming/prepping blah blah that they required, for one neat click of Burberry's Sheer Touch pen, more a divinely-textured, more-pigmented-than-usual illuminator than a traditional spackle, dabbed at the corners of each eye.
- Korres discontinues the Materia Herba eye cream, and there is much wailing and gnashing of teeth.
- I try all teh other Korres eye creams, and a few from other brands... and go crawling back to hideously overpriced Sisleya. Which, while perfect in every other way, cannot stem the resurgent tide of pigmentation during particularly sleepless / stressful times (er, that'd be almost every day then?), so....
- CONCEALATHON 2013!
Featuring:
Burberry Sheer Touch Concealer 01 Light Beige
Cle de Peau Concealer Ivory
Amazing Cosmetics Concealer Fair
Bobbi Brown Corrector Porcelain Bisque and Light Bisque [both older, creamier formula]
RMS Beauty "Un" Cover-Up 11
Illamasqua Under Eye Concealer 100
Tarte Maracuja Creaseless Concealer Fair
Ellis Faas Concealer S201
Swatches
I swatched these in what I thought was the correct order of darkness (dabbing first on the back of my hand) BUT as you can see, some formulas set/dry considerably darker, throwing off the order -- in particular, Nars. This picture was taken about 5-10 minutes of setting, and the final order from dark to light[1] (give or take exaggerated undertones[2]) runs:
Cle de Peau Ivory (warm peach)
RMS 11 (neutral yellow) // Bobbi Brown Light Bisque (very warm salmon pink)
Nars Vanilla (warm pink)
Ellis Faas S201 (neutral yellow)
Burberry 01 (neutral peach-pink) // Amazing Fair (warm peach)
Nars Chantilly (neutral yellow-olive)
Tarte Fair (beige pink)
Kevyn Aucoin SX-01 (cool yellow) [swatched for colour reference only -- this is my blemish concealer]
Bobbi Brown Porcelain Bisque (cool pink)
Illamasqua 100 (true white) -- my mixer
In order of pigmentation
full opacity: Kevyn Aucoin
very pigmented: Cle de Peau // Bobbi Brown corrector // Tarte
pigmented: RMS // Ellis Faas // Nars // Amazing
sheer-medium: Burberry // Illamasqua white
Finishes [I never powder over concealer, so these are the finishes of the products themselves]
dewy: RMS // Bobbi Brown
creamy: Tarte
invisible, 'skinlike': Burberry
satin-matte: Amazing // Illamasqua // Ellis Faas
matte/powdery: Kevyn Aucoin // Cle de Peau // Nars
Most emollient to driest to touch [i.e. most to least blendable on my dry skin]
very creamy: RMS // Bobbi Brown corrector // Burberry [despite its drier feel, it has a lot of silky slip]
creamy: Kevyn Aucoin // Nars upon initial application // Ellis Faas
medium: Amazing // Tarte -- both require warming up between fingers before application
dry and drags on skin: Cle de Peau // Illamasqua
Nars Vanilla (warm pink)
Ellis Faas S201 (neutral yellow)
Burberry 01 (neutral peach-pink) // Amazing Fair (warm peach)
Nars Chantilly (neutral yellow-olive)
Tarte Fair (beige pink)
Kevyn Aucoin SX-01 (cool yellow) [swatched for colour reference only -- this is my blemish concealer]
Bobbi Brown Porcelain Bisque (cool pink)
Illamasqua 100 (true white) -- my mixer
In order of pigmentation
full opacity: Kevyn Aucoin
very pigmented: Cle de Peau // Bobbi Brown corrector // Tarte
pigmented: RMS // Ellis Faas // Nars // Amazing
sheer-medium: Burberry // Illamasqua white
Finishes [I never powder over concealer, so these are the finishes of the products themselves]
dewy: RMS // Bobbi Brown
creamy: Tarte
invisible, 'skinlike': Burberry
satin-matte: Amazing // Illamasqua // Ellis Faas
matte/powdery: Kevyn Aucoin // Cle de Peau // Nars
Most emollient to driest to touch [i.e. most to least blendable on my dry skin]
very creamy: RMS // Bobbi Brown corrector // Burberry [despite its drier feel, it has a lot of silky slip]
creamy: Kevyn Aucoin // Nars upon initial application // Ellis Faas
medium: Amazing // Tarte -- both require warming up between fingers before application
dry and drags on skin: Cle de Peau // Illamasqua
Most moisturising to most drying in practice
moisturising: RMS // BB corrector // Burberry
neutral: Illamasqua // Tarte // Ellis Faas
drying: Cle de Peau // Kevyn Aucoin // Amazing
what fresh hell is this: Nars Radiant Creamy, which once set, becomes a horrific, powdery parody of its name -- over several days of testing (with various combinations of creams and primers under, over and mixed into) it would invariably leave me with desperately shrivelled tree-bark crone eyes by noon.
Tarte Maracuja Creaseless Concealer on top for extra polish -- on its own, this lacks the warmer pink tones I need to cancel out my blue/green veininess and can be a little tricky to blend over my skin, but layered over a light coat of the Burberry, it can handle anything, without the need for a corrector. As a bonus, it is sufficiently pigmented, neutral and pale to work as a blemish concealer too, and sits a bit prettier on my winter skin than Kevyn Aucoin Sensual Skin Enhancer, which I'll still keep around for those fresh and luridly red!!! blemishes that need more yellow.
In practice (warning, scary high def pics ahead)
One click of Burberry Sheer Touch 01 brushed from the inner corner, remaining product drawn with one stroke over the outer corner redness.
A tiny pinhead dot of Tarte Maracuja Creaseless Concealer Fair, warmed between ring fingers and pressed on (even warmed up well, it remains a thick, dense balm texture):
So everything else is an Ignominious Out. For reasons.
moisturising: RMS // BB corrector // Burberry
neutral: Illamasqua // Tarte // Ellis Faas
drying: Cle de Peau // Kevyn Aucoin // Amazing
what fresh hell is this: Nars Radiant Creamy, which once set, becomes a horrific, powdery parody of its name -- over several days of testing (with various combinations of creams and primers under, over and mixed into) it would invariably leave me with desperately shrivelled tree-bark crone eyes by noon.
The Final Arsenal
Burberry Sheer Touch for lazy days / good daysTarte Maracuja Creaseless Concealer on top for extra polish -- on its own, this lacks the warmer pink tones I need to cancel out my blue/green veininess and can be a little tricky to blend over my skin, but layered over a light coat of the Burberry, it can handle anything, without the need for a corrector. As a bonus, it is sufficiently pigmented, neutral and pale to work as a blemish concealer too, and sits a bit prettier on my winter skin than Kevyn Aucoin Sensual Skin Enhancer, which I'll still keep around for those fresh and luridly red!!! blemishes that need more yellow.
In practice (warning, scary high def pics ahead)
Bare
This is average for me -- the goal is to conceal the blurple quarter-moon below my inner corner and a bit of redness at the outer edge, without exacerbating chicken skin / fine lines.
(There is some peachy discolouration on my lids, but as it's not serious enough to mess with my eyeshadows, I care not. For very sheer formulas, I may lay down a wash of Shiseido High Beam White as a base first.)
Blended out with MAC 286:
Not bad, right? Note especially that the texture under my eyes looks a little better (this is why I adore this pen). But my circles are so cool toned that while Burberry's salmon tones takes care of the worse of the blueness, some lavender ashiness still shows through its semi-translucent formula.
Blended out with MAC 286 and more finger-pressing:
After 10 minutes of setting:
Nars Radiant Creamy: sets so apocalyptically dry and crevasse-y D: DNW.
Cle de Peau: cream-to-powder formulas never play well with my dry skin, and this is a great example. The palest shade is far too dark for me and the extremely thick, dry texture does not mix well.
Amazing: the darker, drier, and far inferior red-headed step-cousin to Tarte Maracuja.
Bobbi Brown Corrector: surplus to requirements, as Burberry has enough inbuilt warm pink tones to correct, and Tarte is so well pigmented. As the reformulated Corrector is too dry for me, it was probably a good idea to wean myself off them in any case.
RMS Beauty "Un" Cover-Up: while still the most emollient of the lot, the Tarte-over-Burberry combo works well enough even in the coldest winter days for me to ditch this too-yellow, too-dark shade.
Illamasqua Under Eye Concealer 100: not nearly as heinous as every other base formula Illamasqua makes, I was never really happy with this, and am glad not to have to mix any more.
Ellis Faas: my go-to for the many years I needed a yellow-toned undereye concealer, I borrowed this tube from my mum for swatching purposes only.
Note [1] For undereye concealing I opt for a colour half a shade to a full shade darker than my skin, to counter the naturally ashy tendencies of my circles, for better coverage with less product[3] and to achieve a more realistic look (an exact match, even without ashiness, takes away all the natural dimension from that area, leaving a very obviously made-up wax doll look). Obviously, this varies from my winter palest (Graftobian Glamour Cream Porcelain this year) to summer darkest (Laura Mercier Silk Cream Soft Ivory), but in general terms Ellis Faas S201 is the darkest I can go in summer, while Porcelain Bisque/SX-01 are too light even in winter.
Note [2] Undertones vary wildly in my collection because I used to need yellower tones to combat purple/brown discolouration; during my Korres honeymoon I found warm pink tones most effective in taking the edge off the blue/green bruisiness visible through the especially thin skin around my eyes; now a mix of yellow and pink (peach) works best for my blurple circles.
Note [3] For me, concealer is the one aspect of base makeup that must always aim at total invisibility, if there's to be any point in it. There's nothing worse than adding texture in the interests of subtracting colour, so I would rather have some darkness/discolouration showing through a great (i.e. undetectable) texture than a totally uniform colour achieved by an opaque cement wall of an unflattering texture, caking steadily into every fine line, pore and hair [yeah, I hadn't quite twigged that I had so many giant crater pores / a forest of peach fuzz right under my eyes before the Nars Radiant Creamy fiasco, either. Cheers for that, François!]
Finally, to aid your extrapolation, some things commonly cited in concealer reviews which I don't care about:
creasing/melting/fading/too rich/moves around and never sets/results in milia or breakouts -- my skin's v. dry, too dry for any of these to be issues
lasting power / how the concealer plays with setting powder -- I never use powder
reverse-panda effect -- hate, natch, but unless I slap on some opaque white, aint gonna happen....
white/ghostly flash in photos -- I don't use flash in my own photos for the blog, and don't exactly get papped on the regular, so I care not for TiO2 / ZO content and whether or not it's micronised blah blah
creasing/melting/fading/too rich/moves around and never sets/results in milia or breakouts -- my skin's v. dry, too dry for any of these to be issues
lasting power / how the concealer plays with setting powder -- I never use powder
reverse-panda effect -- hate, natch, but unless I slap on some opaque white, aint gonna happen....
white/ghostly flash in photos -- I don't use flash in my own photos for the blog, and don't exactly get papped on the regular, so I care not for TiO2 / ZO content and whether or not it's micronised blah blah